Search: Starring John Waters

There's lots of great material and La Bruce himself speaks at length about what his work has meant to him at different stages in his career.

It's wrong, but it's fun, and at times touches on some heavier issues such as alienation and the suburban experience.

There is throughout this film a driving positive energy, a commitment to turning frustration into action.

In its sly way, this film presents a revealing portrait of a man with very precise control over his own image.

Does an impressive job of connecting with the man behind the myth.

It gave me a sum total of four large belly laughs, a couple of outright chuckles and a whole lot of burying my head in my hands in shock/distaste/pain.

Otto's sensitively structured portrait of an engaging Peter Pan draws us irresistibly into his world.

A film full of great stories and packed with details which will fascinate fans.

Where the film gets interesting is in its exploration of the act, of the way Mansfield turned her life into a performance.

Samuels' film both contextualises and celebrates these strange slices of subversive counter-culture.

In danger of possessing meaning and value despite itself.

You have to be pretty open-minded to endure the morbid humour, but it's the guiltiest pleasure you're likely to have for a long time.

The nostalgic delight of this movie is due partly to Santo Loquasto's production design and Laura Cunningham Bauer's costumes, both of which are outstanding.

Waters' immaculate and freshly starched style, penetrating insight, wit and gentle but brutal honesty, provide a safety net so that we can identify with him rather than running out of the cinema or feeling personally attacked.